© 2003 - 2023 - All Rights Reserved, original content, do not copy without permission. After this period, Marc’s work got more radical, and during the 1900s, he created some of his most daring works. They were interested in exploring abstraction and understanding the metaphysical dimension of color. Together, they detached from a local group of artists who were mainly exploring figuration and expressiveness. He eventually grew unsatisfied with Academic conventions, and after seeing some of the foremost Post-Impressionist artists in Paris, he decided to make his work as an autodidact artist.Īround 1910, Marc met Wassily Kandinsky in Munich. There, Marc had classes with some of the most respected artists from his time. After a brief trial in philology and serving the army, the young man joined the Munich Academy of Art. The bottom of the picture is filled with green grass, while the horizon is a mixture of red, green, blue, and yellow.įranz Marc was born in 1880. The horse on the right side has his head close to its trunk, creating a strong contrast between the deep blue and the potent white. To each of their sides, there is a thin white tree. The other one has his back to the audience. Two of them can be seen frontally by the viewer and have their faces looking down. The picture shows the audience three horses. His early work was very naturalistic and conventional, but he started to create countless studies on animal movements, and his work developed towards a more formal approach. Like the other pictures from this period, Marc employs a very restricted palette of primary colors: blue, red, yellow, green, and black. The Large Blue Horses was painted on a rectangular canvas. In many different pictures, Marc works with structural stylizations of their figures and intensive colors. Still, horses would be the primary figure in his paintings and the protagonists of some of his most stunning masterpieces. Marc extensively depicted many animals throughout his career, such as foxes, birds, bulls, and cats. The Large Blue Horses is an example of Marc working with one of his primary subjects: horses. It was painted in 1911 by the German artist Franz Marc. This blog is a Book Depository affiliate, which means that if you use my links to buy books on their site I get a small percentage of the selling price, which is not much but is really appreciated.The Large Blue Horses is an impressive 104.78 x 181.61 cm (41.25 x 71.5 in) oil painting and belongs to the Walker Art Center in the US. Shortly after we turn the pages we see a blue horse, a green lion, a polka-dotted donkey, animals painted in bright, unexpected colours, all proving that perspective might differ and creativity is actually the expression of personal emotional and intellectual capability and power.Ĭomplement The Artist Who Painted A Blue Horse with The Iridescence of Birds, a book about Henri Matisse and the way childhood influenced his art. ![]() “I am an artist and I paint” Eric Carle begins his book, letting us know that a factor of surprise might be expected. The Artist Who Painted A Blue Horse is Carle’s tribute to Franz Marc who had the courage to paint blue horses and yellow cows but also his statement that all children are in fact little artists that represent the world in unpredictable, brilliant colours. ![]() Initially, young Carle was scared and shocked but eventually he understood their beauty and uniqueness. ![]() Franz Marc, Blue Horse I, 1911Įric Carle, who spent his childhood under the Nazi regime in Germany, had little contact with modern art but one day his art teacher, who seems to have anticipated Carle’s talent, secretly showed him some forbidden reproductions. In the pocket of his uniform there was found a book with several drawings that the artist was planning to make into paintings when the war was over. The painter was killed in World War I, during the Battle of Verdun. But Franz Marc trusted his artistic call and continued to paint animals, in a simple yet full of emotions style. Because he liked to paint animals in unusual colours, sometimes unrealistic, the traditionalists often criticised his work the Nazis considered him a degenerate artist. Franz Marc was a representative figure of the German Expressionism.
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